« The work of Hugues Dufourt is in fact, a monument. It gives itself over the performer who accepts to go the long road with it: the internalization and externalization of the material, the quest for a refined texture, for a model, for a malleable « curve » that fits the scrolls of musical time excatly: the timbre/time respiration, the sound/phrasing, the form/matter. Faithful restitutoin is always something subjective, interpretation often being only an echo, a reflection or a stratum of a multidimensional and polysemic language, Hugues in this case, in which the richness and mystery stretch toward infinity.»
Daniel Kawka